Showing posts with label heavy. Show all posts
Showing posts with label heavy. Show all posts

Saturday, March 2, 2013

Deceptor - Chains Of Delusion

I haven't been really inspired by the latest Metal releases. In a more general matter, I'm just fed up with all these bands with fancy packagings and a new record every single year. 

As a result, I've been mostly listening to old stuff; or old bands newer releases (Angel Witch's As Above So Below is just AMAZING). OK, now you're thinking, "the guy's just getting old". Maybe. However, when a new interesting band comes along, I still know how to get all excited about it. 


And there is PLENTY to be exited about with DECEPTOR (despite the "WTF??" name). The Power-trio's second EP is one hell of a blast of pure Heavy Metal. 

There are 6 tracks here (2 intermissions, 4 actual songs) and each one of them is just FANTASTIC. 


There's plenty of traditional metal, some more sharpened stuff (Heatseeker) and a slight dose of epic and technical stuff. Paul Fulda does a great great job on Bass, and as is most of Power-trios, each instrument has a whole lot of space to express itself. And these young wolves sure know how to make a good use of it.

Honestly, whatever kind of Metal you like, you just need to check this young band out, I think fans of Heavy Metal, and Thrash Metal will appreciate it even more than anyone else. 

I can't really pick up a favorite song on this one, although "Sentinent Shackles" really impressed me (the most original song). I also love the opener "To Know Infinity" (very catchy one), and the powerful "Heatseeker". "Oblivion's Call" with it's epic&melodic edges is also a perfect way to close that EP. 

"Heatseeker"
 
Check this band out right now, so that in a few years, when everybody will be talking about Deceptor, you'll say "Got to hell man, I've been following this band since 2013, when their second EP had just come out".

Yath - This is an easy 8/10

https://www.facebook.com/deceptoruk
http://store.shadowkingdomrecords.com/


Thursday, August 30, 2012

Firewind – Few Against Many review



I was pretty surprised to read some very average reviews for Few Against Many, Firewind’s seventh full-length record. Greece’s most famous Heavy Metal band has always been extremely popular and respected by both fans and press.
But things have changed since last record (Days Of Defiance, 2010) as mastermind Gus G. is now Ossy Osbourne’s guitarist, and Firewind will inevitably be much more exposed. You’ve probably guessed as well the main critic I read about this new record: “the songs were composed and recorded quickly, as if Gus G. wanted to profit from his joining of Ozzy as fast as possible”. Well that’s a typical Metal-fan argument, the same old “selling out” theory; but in the same time, it could be true, because we can imagine that playing with Ozzy and doing 95% of the job in Firewind (Guitarist Gus G. handles a lot of things in Firewind: composing all the music, and producing it) is a lot of work.


As a fan, I decided to get that album and listen to it so that I can make up my own opinion. And after many listens, here’s my verdict: I have no idea if I like this record or not!
Gus G. has been saying in interviews that he wanted to modify the band’s sound a little bit, by focusing on composing good songs, and not just rely on the heavy riffs.
Few Against Many sounds indeed like a transition record, as the band seems to have intended to create something different, but without going completely through the process. The result is a patchwork of mostly melodic songs, with highs and lows.
Among the good songs, I want to mention the opener, “Wall Of Sound”. That one has a great rock’n’roll vibe, a nice and heavy riff and a cool hard-rock feeling. Irresistible!
I also love the second song, “Losing My Mind”, that sounds like a homage to Alice In Chains, and that clearly demonstrates Firewind’s desire to test new things. Singer Apollo does a fantastic job on that one. “Another Dimension” and “Glorious” are more typical Firewind songs, with some very fast and heavy parts and a cool melodic chorus. “Edge Of A Dream”, the ballad featuring Apocalyptica, is another cool moment, with again, a great performance from Apollo.
“Long Gone Tomorrow” is different; vey heavy and sounds like an attempt to write something more modern, with a big chunky guitar riff.
And as I was saying, there are some very ordinary songs here; that you pretty much forget instantly after each listen, not to mention some of them are just too cheesy like “Destiny”.


All in all, I must admit that Few Against Many sounds like “just another new Firewind record”, although it seems to be a transition album, as Gus G. has really tried many different things and vibes, which is a positive thing. All he needs to do right now is to decide in what direction he wants to lead the band to and to accomplish it fully. He clearly doesn’t want to go towards progressive metal, maybe Firewind will become more melodic, more modern or even more heavy? Or just get back to the good old Heavy Metal they completely mastered and that satisfied their fans? I guess we’ll have to wait and buy the next record to figure that out. And to make up our mind concerning Few Againt Many…

YATH

http://www.firewind.gr/
http://www.facebook.com/firewindofficial?sk=wall

Tuesday, August 7, 2012

COVEN, PAGAN ALTAR & ALTAR OF OBLIVION: Why SHADOW KINGDOM RECORDS will make your summer heavier


If you’ve read some of my blogs before you know that already: I firmly believe that “small” and specialized labels are the most interesting source of Metal records. 
Don’t get me wrong; I’ve got nothing against important labels such as Roadrunner, Century Media, Metal Blade or Nuclear Blast… I actually buy some of their chunky “limited edition” CDs every single month (you know, the ones that come in big shiny digipacks with useless “making of” bonus DVDs).

The thing is, these important companies do not (and probably CANNOT) have a specific and clear artistic orientation, as they must enlarge their audience as much as possible. Specialized labels however select their artists according to one very simple thing: their boss's taste! That’s why it’s most of the time a completely passion-driven and authentic decision. In fact, after following some labels for a while, I feel that I know their bosses almost personally, because I understand completely their musical tastes, just by listening to their releases. Awesome right? And so old-school: you don't need to listen to a CD before buying it, with these labels, you know just exactly what to expect!


And yes: as you might have guessed already, Shadow Kingdom Records if one of those passion-driven labels. Their specialty is Heavy Metal, with a particular attraction for obscure and doomy stuff. This Pittsburgh-USA based label have made me discover some amazing new bands, like Argus, Sinister Realm, or Crowned In Earth, it has brought back from the dead the mighty Iron Man and it has reissued some hidden gems from the past like Deep Switch, Wolfbane, Revelation and so many more!


This summer, there are 3 Shadow Kingdom Released you need to check out if you’re into Heavy Metal or Heavy/Doom stuff. And the first one I want to tell you about is also the strangest one. Coven have reformed under the name Coven 13 recently. Probably because of the other 256 bands called Coven around the globe.
This US Heavy Metal band has existed quite briefly in the late 80’s, with only one official release, an LP called “Worship New Gods”. Back in the day, the band self-released it on vinyl only and split-up shortly after. And guess what, it’s now re-released on CD by Shadow Kingdom in a remastered version with a booklet including a bunch of old photos! Seriously, where the hell does Shadow Kingdom Records find these bands??!! Release after release, SKR's  boss shows to be one of the finest Heavy Metal connoisseurs in the world.


Coven sounds pretty much like a typical US-Heavy Metal band, with the sharp riffs and the taste for doomy atmospheres. Some might even classify it as “Heavy/Doom” which pretty much illustrates the global feeling of this record. I also must insist on the old-school taste of this one, just look at the artwork, the band photos and some details. The first song starts with a clear statement as singer David Landrum says “The Gods Made Men, Men Made Steel!”. Now that is HEAVY! I also love the old-fashionned effects in the beginning of “The Wicked Day” and “Loki”. 
This release may seem a little strange at first, as it took me some time to get into it, maybe because of the high-pitched vocals that sometimes get out of control. But when it did click, I really started to enjoy it, especially some songs like the aforementioned “The Wicked Day”, “Ruler” or even “Burial Ground” and “Jailhouse”. Another thing I like about this record is that I never really heard anything like it before... Some songs have a strange and very marked Gothic vibe like “Kiss Me With Blood” or “Threshold Of The New” (this one is like The Cure meet Heavy Metal!!). Last track “Loki” is also very original with a very unusual -not to say weird- structure and chorus.
Trust me, this release is not just a rarity destined to a few Metal archeologists, as it sounds like nothing you’ve heard before, although a bit “dated” maybe, but hey, that’s totally part of it’s charm!


Second summer release on Shadow Kingdom is another rarity reedition, only this time around it’s by a much more famous band: Pagan Altar. "The Time Lord" had only been released on vinyl a few years ago and Shadow Kingdom brings it to you for the first time on CD. These tracks are the very first recordings by the band, done in 1978 and 1979, so yes; this is another historical release.
I personally love this kind of very early Heavy Metal, still filled with hard-rock vibes and tons of BLUES. The feeling these guys have is just amazing, and it’s unbelievable that this band has been ignored for so long (although formed in the late 70s, their first official recording was released in 1998!). There are 5 songs on that release for a total running time of 32 minutes. The songs tend to be a little long, with multiple developments, essentially led by Alan Jones (accompanied by Les Moody on the songs “The Time Lord” and “Highway Cavalier”) who does a fantastic job on the guitars (both acoustic and electric). 


The song “The Time Lord” is truly one of my favorites on this EP, with it’s 8 minutes of pure transcendental pleasure. “Judgment Of The Dead” is heavier, and really sounds like many of the “doom” bands you might know from our actual era (Glen Robinson’s bass also gives me the chills on that one). “The Black Mass” has a darker feeling, still filled with blues and some HEAVY riffing! Really impressive stuff for a song composed in the late 70s. And that's when I realized that Pagan Altar could have been a real alternative for Black Sabbath, who are considered like the Godfathers of Heavy Music in general. History is sometimes so cruel… Last track “Reincarnation” is also a tremendous one, with a beautiful acoustic beginning that develops into one heavy and epic song. Terry Jone’s vocals are nothing short of impressive: full of blues and emotion. This EP is clearly an instant classic. What more can I say? As usual with SKR, the CD comes with a new and fantastic artwork.


The last SKR release on the menu today isn’t another hidden treasure. Grand Gesture Of Defiance is Altar Of Oblivion’s second LP. And as the bio on the SKR website says, this is probably the best Heavy Metal band to come out from Denmark since Mercyful Fate. Altar Of Oblivion are however quite different from their famous predecessors, as their sound is much heavier and “doomier”. The guitar-sound is very thick and the guys have got a Scandinavian approach to their Heavy/Doom (this label perfectly fits the band): everything is so bombastic and operatic here. Just look at the artwork, the song titles and even the style of the booklet. Of course, the very demonstrative vocals also totally reflect that. It’s even clearly specified on the last page of the booklet (awesome artwork by the way); Mik Mentor doesn’t just handle vocals, he’s in charge of the “Stentorian Narration & Ars Melancholia”. There you go!


Music-wise, this is some pretty classic stuff, extremely well performed and composed, with crazy riffing all over it, some killer melodies, and a few Mellotron parts here and there. The production is just perfect; very heavy yet organic and all the instruments sound natural. The Danish usually master the art of Metal production, so this is no surprise at all. The first track “Where Darkness Is Light” is really a strong opener, that will dive you into the record and that displays the band’s talent instantly. However, I absolutely love the second track, “the Graveyard Of Broken Dreams” because of its fantastic chorus and the melodic break in the middle of it. The other highlight of the record is the very heavy “Sentenced In Absentia”, preceded by the acoustic “The Smoke-Filled Room”. Again, nothing fundamentally new here, but these guys sure know what Heavy & Doom means…
All in all I really enjoyed listening to this record, because albeit being pretty classical in its approach, the band manages to show a unique personality, with a specific concept, a deep melancholia and an operatic attitude that does make a difference.

These 3 releases are equally awesome, each one of them being different and special in it’s own way. If you’re into the SKR stuff, then just do what you usually do, trust the label and get these releases. If you are a metal archeologist interested by bizarre and original stuff check out Coven, if you like your Heavy filled with blues then you must get that Pagan Altar EP. Finally, if you're into Heavy/Doom Metal, then Altar Of Oblivion is a band you absolutely have to check out!

As for me, I just can’t pick-up a favorite; I’ve been playing these records one after the other for the past few days…

Yath

http://shadowkingdomrecords.com/

Monday, July 2, 2012

Start your summer the brutal way with Chaos Inception, Hypnosia and the mighty Massacre


Summer has finally arrived and I bet all you wanna do is listen to cool hard-rock and chill around with a cold drink. Or even worse: you wanna listen to the radio and put your brain on hold with some easy-listening stuff.
Well, to counter that, here are 3 different yet coolish BRUTAL releases that will remind you how much heavy is good, and how much you can’t live without heavy.


 The artwork is basically as awesome as the music: typical nevertheless amazing.

I really want to start with the newcomers CHAOS INCEPTION. In fact, they’re not exactly newcomers since “The Abrogation” is their second LP, but that is the first time I hear about the Alabama-based band. This record is Lavadome Production’s third release; and man, what a release! The Abrogation is an impressive Brutal-Death record, with all the necessary ingredients the genre requires: extreme brutality, technicality, smooth songwriting and that boiling sense of urgency that will hang by the skin of your teeth all along these insane 30 minutes. 
Obviously, you’ll need to enjoy brutality to appreciate such a record. But if you do like your riffs fast, sharp and technical, there is no way you can miss Chaos Inception. Their music reminded me of old-school acts like Morbid Angel, Krisiun and Incantation. The riffs are fast, brutal, technical and they just keep on changing! I also need to underline the top-notch production; crystal clear yet very organic and “warm”. Really appreciated that release although I can’t pretend I’m a specialist when it comes to Brutal Death Metal. Songs like “Hammer Of The Infidel” and “The Exterminati” (so heavy with a fantastic melodic lead) stand out, as their songwriting skills are definitely one of the band’s top assets.
Everything is very typical here, but this is some very fine piece of work, done with passion, dedication and truckloads of talent.




The second record I’d like to mention today is a reissue out on the LOVELY I Hate Records. Horror Infernal is a compilation by Sweden’s Hypnosia. This release comprises “The Crushed Existence” and “The Storms” demos, plus “The Violent Intensity” mini-album from 1999 and 3 bonus tracks (“Outbreak Of Evil”-Sodom cover, “My Belief”-Possessed cover, and a live track). This Scandinavian Thrash Metal band has split in 2000, after the release of their only LP “Extreme Hatred”. I hate Records have remastered these songs and the result is really outstanding; powerful and totally rough, exactly what you need for Thrash Metal. I’m actually not surprised to see I Hate Records releasing that material, since this is typically the music label founder Peter Lindén loves (just listen to his band Terrorama and you’ll understand). This is furious Scandinavian Thrash Metal (see my blog about Nekromantheon for a definition of Scandinavian Thrash), driven by unbelievable riffs. Hysterical, fast, furious, heavy, punk, aggressive, harsh; it’s all in there. You like Thrash? Then you like Hypnosia, Period. Check out the songs “Undead” and “Haunting Death”, probably some of the best Thrash songs you could imagine

Nice Interview with the band on Voices From the Darkside Webzine right here. 


Although I'm a bit late, I couldn't miss the reissue of Massacre’s ultimate Classic “From Beyond” out on Earache. This edition comes with a red version of Repka’s sublime artwork, a nice poster (so old-school to insert a poster in a CD!) and most importantly, this release comprises the 1992 “Inhuman condition” EP, that has become pretty hard to find.
What could I possibly say about this record? It’s a classic, no doubt about that and about the fact that it has definitely been underrated. The line-up still looks like a supergroup today, with Terry Butler on bass, Bill Andrews on drums, Rick Rozz on guitar and Kam Lee for the screams. Just go to Metal Archives and look at these guys Curriculum to reconsider your definition of “super-group”. 
Anyways, here’s a fantastic collection of old-school Death Metal; that simply crushes all the new bands that are trying to recapture that specific sound. I just love the riffs, the crazy rhythm section -technical yet so instinctive- and also the lyrics, so typical of the 90s! There is an immense amount of classic songs here, like ‘Biohazard”, “Chamber Of Ages” (coolest intro for that one, with those cheesy effects), “Corpse Grinder”… 
The “Inhuman Condition” EP is no exactly as impressive, but it does contain some awesome tunes, like the title song or the Venom Cover “Warhead” featuring guest vocals by Cronos himself.
All in all, that is one essential release that you must posses if you like Death Metal. Also note that the band has actually reunited and is currently touring with Rick Rozz, Terry Butler Mike Mazzonetto on drums and Edwin Webb on vocals.

Tuesday, May 22, 2012

Ufomammut – ORO – Opus Primum - I love to get sucked into the Black Hole!



Music is only about energy traffic between the performer and the listener, nothing else. That energy is supposed to transport feelings and emotions.
Most of the time, the performer decides which energy to transmit and how to do it. When you’re listening to a record at home (or anywhere else except on stage) you just receive that energy; it’s a one-way traffic. But some exceptional bands like Ufomammut somehow manage to create two-way emotions traffic, even when you’re listening to their music on CD or vinyl. In fact, it might also be a one-way traffic, only this time around; these guys TAKE your energy and crush it, just as if you were sucked into the ultimate abyss of the Black Hole itself. You can’t do anything about it; they set the rules and you let it go.
And the comparison with outer-space is obviously very opportune as Ufomammut are a psychedelic band overall, even if here and there you can underline some pretty heavy traditional doom elements to bring you back to Earth.
Opus Primum is the first part of a double album initiated by Ufomammut. Once again, the artwork is amazing, which is not surprising coz’ as you probably know, Ufomammut are part of the Malleus Art Collective.  

Artwork is fantastic, and the special LP edition includes a bonus DVD. VERY cool packaging. 

This new record is a blast; Poia (guitars, syncs), Urlo (bass, FX, synths) and Vita (drums) know how to play with your nerves and they master the art of energy traffic I just told you about. Most of the time they suck your energy, all you have to do is sit back and feel it leaving your body, and then suddenly, they'll throw one killer SUPER heavy riff, like on track 2 “Aureum”. 
The thing just fills you back with energy, so it can empty it back a moment later, particularly when the very psychedelic and freaky melody from the opening track comes back and then degenerates into -one more- heavy and deadly riff.

"Irresistible!"

It’s really tough to describe this band's music, as you really need to feel the thing to understand it. What I can tell you however is the way I feel when I listen to it: 
  •         First, I wanna press replay.    
  •         Second, I wanna go out and buy these guy’s entire discography!

Ufomammut is often labeled as a psychedelic/sludge band. I’d say they are above all a Psychedelic band with a slice of doom, making it a unique energy-devouring entity, the kind of Black Hole you desperately want to be sucked into and resurrected; only to be doomed back into again.   

Yath LOVES this one!