Showing posts with label Shadow Kingdom Records. Show all posts
Showing posts with label Shadow Kingdom Records. Show all posts

Thursday, March 7, 2013

Corsair - Corsair review


Corsair have signed on Shadow Kingdom Records last year, and the label's first initiative was to re-release that self-titled record. Honestly, there isn't much I can tell you about this pure gem. Just look it up online, and try to count all the super enthusiastic reviews you can find. 

Corsair is totally unique, and I can guarantee you have never heard anything like it before. The band (Paul Sebring on guitar/vocals, Marie Landragin on guitars/vocals, Jordan Brunk on bass, and Aaron Lipscombe) have managed to create some sort of modern-retro rock. Yeah their stuff is that awesome. 

Corsair do sound like a 70's prog/hard-rock band, but they also have some typical Metal influences and psychedelic edges. They simply have mixed the old-school influences with the modern rock vibe of bands like Mastodon and Baroness. Really, if you are into these two bands, you MUST check out Corsair. 

Again, I don't know what to tell you; this music is awesome, groovy, melodic, progressive, heavy, original, catchy, fun, smart, different. 

Last but not least, the artwork is amazing and the lyrics are just as smart and interesting as the music. 

"Chaemera" one of my favorite songs on the album

There are dozens of interesting releases every month for rock,metal and prog fans, and this is definitely one that you absolutely have to listen to. Stay tunned as Shadow Kingdom Records will re-release a MCD by Corsair on April 30th this year. 

Yath - AWESOME - 9/10


http://shadowkingdomrecords.bandcamp.com/album/corsair

http://www.facebook.com/pages/corsair/179747970753


Saturday, March 2, 2013

Deceptor - Chains Of Delusion

I haven't been really inspired by the latest Metal releases. In a more general matter, I'm just fed up with all these bands with fancy packagings and a new record every single year. 

As a result, I've been mostly listening to old stuff; or old bands newer releases (Angel Witch's As Above So Below is just AMAZING). OK, now you're thinking, "the guy's just getting old". Maybe. However, when a new interesting band comes along, I still know how to get all excited about it. 


And there is PLENTY to be exited about with DECEPTOR (despite the "WTF??" name). The Power-trio's second EP is one hell of a blast of pure Heavy Metal. 

There are 6 tracks here (2 intermissions, 4 actual songs) and each one of them is just FANTASTIC. 


There's plenty of traditional metal, some more sharpened stuff (Heatseeker) and a slight dose of epic and technical stuff. Paul Fulda does a great great job on Bass, and as is most of Power-trios, each instrument has a whole lot of space to express itself. And these young wolves sure know how to make a good use of it.

Honestly, whatever kind of Metal you like, you just need to check this young band out, I think fans of Heavy Metal, and Thrash Metal will appreciate it even more than anyone else. 

I can't really pick up a favorite song on this one, although "Sentinent Shackles" really impressed me (the most original song). I also love the opener "To Know Infinity" (very catchy one), and the powerful "Heatseeker". "Oblivion's Call" with it's epic&melodic edges is also a perfect way to close that EP. 

"Heatseeker"
 
Check this band out right now, so that in a few years, when everybody will be talking about Deceptor, you'll say "Got to hell man, I've been following this band since 2013, when their second EP had just come out".

Yath - This is an easy 8/10

https://www.facebook.com/deceptoruk
http://store.shadowkingdomrecords.com/


Monday, September 17, 2012

Hellwell’s Beyond The Boundaries of Sin review



Hellwell is a new band formed by Heavy Metal Legend Mark Shelton, member of the mighty Manilla Road. And you’ll probably be reading all over the web and the magazines many comparisons between Manilla Road and Hellwell; the latter being presented as Manilla Road’s “evil twin”.

That statement isn’t exactly aberrant, but it’s pretty unfair to Hellwell, since the band is not just about Mark Shelton developing some dark sort of Manilla Road.
Hellwell was actually named after E.C Hellwell, the band's bassist and keyboardist. The man is also a horror novelist, whose work has strongly inspired Mark Shelton for Manilla Road. The Acheronomicon Suite that closes this album was also originally one of his short stories that Shelton has adapted. The guy has also co-written most of the songs, and therefore Hellwell is pretty much his band too. Jonny Benson completes the line up on drums. 

Hellwell is also extremely important when it comes to the band’s sound; because although Shelton’s guitars are obviously super important, the fantastic organ and other keyboards often lead the dance and help creating a unique sound (at least a sound that is different from Manilla Road) that perfectly reflects the typical horror-movie atmosphere. Really, that’s what I appreciated the most when listening to Beyond The Boundaries Of Sin. Just listen to the opener “The Strange Case Of Dr Henry Howard Holmes” or the final "End Of Days" and you’ll immediately get my point!



But Hellwell being an important member of the band doesn’t mean that Shelton is invisible. His guitar-riffs are amazing, twisted, heavy and even a bit more violent that the stuff he plays in Manilla Road. He also managed to inject a huge dose of that epic feeling he masters so much. His solos are also as fantastic as they’ve always been, filled with feeling and intensity.
These two guys managed to perfectly mix their talents and create something really interesting and original here. That record should have been one this year’s highlights; especially now that everybody’s so crazy about dark Heavy Metal.

I’m guessing you’re wondering why it should have been a highlight. The thing is, this record has an unbelievably bad sound. Mark Shelton handled the production, and just like on Manilla Road’s last record, Playground Of The Damned, the sound is extremely muffled, with triggered drums and VERY dirty guitars. I understand they wanted a nasty and organic sound, but they ended up totally killing the power and the impact of the songs.

One last word about Shelton’s vocals; which again, I think, are a little too extreme. He sort of screams/sings like a gargoyle but I really think more of the epic and “clean” vocals could have given more impact to the songs (the choruses are really awesome though).
All in all, this first Hellwell release is extremely interesting, and although Beyond The Boundaries Of Sin has some flaws, I really enjoyed playing it very loud, as each song overflows with top-notch musicality, Heavy Metal power and that typical epic feeling Mark Shelton masters so much. 
By the way, the final suite (the last three songs) called Acheronomicon is such a fantastic illustration of that; clearly the record’s top moment.
Fans of Epic Metal; there’s another Shadow Kingdom release you need to check out! (you can listen to the album and make up your own opinion right here).

Yath


Tuesday, August 7, 2012

COVEN, PAGAN ALTAR & ALTAR OF OBLIVION: Why SHADOW KINGDOM RECORDS will make your summer heavier


If you’ve read some of my blogs before you know that already: I firmly believe that “small” and specialized labels are the most interesting source of Metal records. 
Don’t get me wrong; I’ve got nothing against important labels such as Roadrunner, Century Media, Metal Blade or Nuclear Blast… I actually buy some of their chunky “limited edition” CDs every single month (you know, the ones that come in big shiny digipacks with useless “making of” bonus DVDs).

The thing is, these important companies do not (and probably CANNOT) have a specific and clear artistic orientation, as they must enlarge their audience as much as possible. Specialized labels however select their artists according to one very simple thing: their boss's taste! That’s why it’s most of the time a completely passion-driven and authentic decision. In fact, after following some labels for a while, I feel that I know their bosses almost personally, because I understand completely their musical tastes, just by listening to their releases. Awesome right? And so old-school: you don't need to listen to a CD before buying it, with these labels, you know just exactly what to expect!


And yes: as you might have guessed already, Shadow Kingdom Records if one of those passion-driven labels. Their specialty is Heavy Metal, with a particular attraction for obscure and doomy stuff. This Pittsburgh-USA based label have made me discover some amazing new bands, like Argus, Sinister Realm, or Crowned In Earth, it has brought back from the dead the mighty Iron Man and it has reissued some hidden gems from the past like Deep Switch, Wolfbane, Revelation and so many more!


This summer, there are 3 Shadow Kingdom Released you need to check out if you’re into Heavy Metal or Heavy/Doom stuff. And the first one I want to tell you about is also the strangest one. Coven have reformed under the name Coven 13 recently. Probably because of the other 256 bands called Coven around the globe.
This US Heavy Metal band has existed quite briefly in the late 80’s, with only one official release, an LP called “Worship New Gods”. Back in the day, the band self-released it on vinyl only and split-up shortly after. And guess what, it’s now re-released on CD by Shadow Kingdom in a remastered version with a booklet including a bunch of old photos! Seriously, where the hell does Shadow Kingdom Records find these bands??!! Release after release, SKR's  boss shows to be one of the finest Heavy Metal connoisseurs in the world.


Coven sounds pretty much like a typical US-Heavy Metal band, with the sharp riffs and the taste for doomy atmospheres. Some might even classify it as “Heavy/Doom” which pretty much illustrates the global feeling of this record. I also must insist on the old-school taste of this one, just look at the artwork, the band photos and some details. The first song starts with a clear statement as singer David Landrum says “The Gods Made Men, Men Made Steel!”. Now that is HEAVY! I also love the old-fashionned effects in the beginning of “The Wicked Day” and “Loki”. 
This release may seem a little strange at first, as it took me some time to get into it, maybe because of the high-pitched vocals that sometimes get out of control. But when it did click, I really started to enjoy it, especially some songs like the aforementioned “The Wicked Day”, “Ruler” or even “Burial Ground” and “Jailhouse”. Another thing I like about this record is that I never really heard anything like it before... Some songs have a strange and very marked Gothic vibe like “Kiss Me With Blood” or “Threshold Of The New” (this one is like The Cure meet Heavy Metal!!). Last track “Loki” is also very original with a very unusual -not to say weird- structure and chorus.
Trust me, this release is not just a rarity destined to a few Metal archeologists, as it sounds like nothing you’ve heard before, although a bit “dated” maybe, but hey, that’s totally part of it’s charm!


Second summer release on Shadow Kingdom is another rarity reedition, only this time around it’s by a much more famous band: Pagan Altar. "The Time Lord" had only been released on vinyl a few years ago and Shadow Kingdom brings it to you for the first time on CD. These tracks are the very first recordings by the band, done in 1978 and 1979, so yes; this is another historical release.
I personally love this kind of very early Heavy Metal, still filled with hard-rock vibes and tons of BLUES. The feeling these guys have is just amazing, and it’s unbelievable that this band has been ignored for so long (although formed in the late 70s, their first official recording was released in 1998!). There are 5 songs on that release for a total running time of 32 minutes. The songs tend to be a little long, with multiple developments, essentially led by Alan Jones (accompanied by Les Moody on the songs “The Time Lord” and “Highway Cavalier”) who does a fantastic job on the guitars (both acoustic and electric). 


The song “The Time Lord” is truly one of my favorites on this EP, with it’s 8 minutes of pure transcendental pleasure. “Judgment Of The Dead” is heavier, and really sounds like many of the “doom” bands you might know from our actual era (Glen Robinson’s bass also gives me the chills on that one). “The Black Mass” has a darker feeling, still filled with blues and some HEAVY riffing! Really impressive stuff for a song composed in the late 70s. And that's when I realized that Pagan Altar could have been a real alternative for Black Sabbath, who are considered like the Godfathers of Heavy Music in general. History is sometimes so cruel… Last track “Reincarnation” is also a tremendous one, with a beautiful acoustic beginning that develops into one heavy and epic song. Terry Jone’s vocals are nothing short of impressive: full of blues and emotion. This EP is clearly an instant classic. What more can I say? As usual with SKR, the CD comes with a new and fantastic artwork.


The last SKR release on the menu today isn’t another hidden treasure. Grand Gesture Of Defiance is Altar Of Oblivion’s second LP. And as the bio on the SKR website says, this is probably the best Heavy Metal band to come out from Denmark since Mercyful Fate. Altar Of Oblivion are however quite different from their famous predecessors, as their sound is much heavier and “doomier”. The guitar-sound is very thick and the guys have got a Scandinavian approach to their Heavy/Doom (this label perfectly fits the band): everything is so bombastic and operatic here. Just look at the artwork, the song titles and even the style of the booklet. Of course, the very demonstrative vocals also totally reflect that. It’s even clearly specified on the last page of the booklet (awesome artwork by the way); Mik Mentor doesn’t just handle vocals, he’s in charge of the “Stentorian Narration & Ars Melancholia”. There you go!


Music-wise, this is some pretty classic stuff, extremely well performed and composed, with crazy riffing all over it, some killer melodies, and a few Mellotron parts here and there. The production is just perfect; very heavy yet organic and all the instruments sound natural. The Danish usually master the art of Metal production, so this is no surprise at all. The first track “Where Darkness Is Light” is really a strong opener, that will dive you into the record and that displays the band’s talent instantly. However, I absolutely love the second track, “the Graveyard Of Broken Dreams” because of its fantastic chorus and the melodic break in the middle of it. The other highlight of the record is the very heavy “Sentenced In Absentia”, preceded by the acoustic “The Smoke-Filled Room”. Again, nothing fundamentally new here, but these guys sure know what Heavy & Doom means…
All in all I really enjoyed listening to this record, because albeit being pretty classical in its approach, the band manages to show a unique personality, with a specific concept, a deep melancholia and an operatic attitude that does make a difference.

These 3 releases are equally awesome, each one of them being different and special in it’s own way. If you’re into the SKR stuff, then just do what you usually do, trust the label and get these releases. If you are a metal archeologist interested by bizarre and original stuff check out Coven, if you like your Heavy filled with blues then you must get that Pagan Altar EP. Finally, if you're into Heavy/Doom Metal, then Altar Of Oblivion is a band you absolutely have to check out!

As for me, I just can’t pick-up a favorite; I’ve been playing these records one after the other for the past few days…

Yath

http://shadowkingdomrecords.com/

Wednesday, August 17, 2011

SINISTER REALM makes your summer EPIC

There is a new “hype” around old-school heavy metal going on. Every label wants a new rooster inspired by the glorious early heavy and/or evil bands. What’s even more impressive is that the movement started on very specialized forums, the whole thing grew, cool reviews started to bloom all over the web. And now, you got very promising bands, playing Mercyful Fate-like stuff like In Solitude and Portrait signed on Metal Blade! A few months ago, people would laugh at Mercyful Fate fans… That’s probably one of the very first cases where the whole thing completely started on specialized Internet forums.

But let’s give credit to those who’ve always been there, like Shadow Kingdom Records. The label has not only reissued some fantastic records (Manilla Road’s Live After Midnight), it also promoted promising new bands like Argus (now on Cruz Del Sur) and Iron Man (who released their fourth record, I Have Returned, probably one of the best heavy/doom CDs released in a few years).  



And one of the most awesome bands on Shadow Kingdom is without a doubt Sinister Realm, formed by former Pale Divine John Shamus Gaffney and Darin McCloskey (the latter had to leave the band after the very good first record).
Their first record was already a great heavy metal journey with some doomy edges. But the new one, The Crystal Eye is a pure diamond.



Everything on this record makes it sound like a classic. It has the perfect length: 45 minutes. It contains 8 songs, each one of them being memorable with something specific that makes it stand out. You have the strong and powerful opener, a slow and very heavy song, a fast one, the epic killer title track, the melodic song, the power-ballad, the instrumental and the final epic that shows some interesting progressive elements. Absolutely nothing’s missing here!

All of the musicians are on the top of their game, and vocalist Alex Kristof is realy stands out. The man’s got a powerful voice but he also knows how to sing. What I mean is that he’s not like at 110% all over the album screaming his balls out and irritating your ears!



You also have to note the fantastic solos by new guitarist John Risko and of course the superb bass-lines from John Gaffney. His old-school style reminds me of the way Steve Harris stands out in Iron Maiden. Now he’s also the main composer here and he’s not very far away from perfection with tracks like “Signal The Earth” or “Swords Held High”. These songs are truly amazing, as they sound classic but very unique at the same time.



All in all, if you are into heavy metal, this is your album of the year. Therefore, even if the it’s cover is a little bit cheesy and although it’s not edited in one of those huge digipacks with a bonus DVD (where you can look at the band fool around in the studio for an hour and a half) The Crystal Eye deserves your complete attention. Definitely one of my favorites this year!

Make sure you check’em out right here