The Haunted's Unseen - Probably 2011's best Metal album

I’ve completely rediscovered The Haunted this year, with the release of Unseen. I used to love the band for being a totally insane and typically Scandinavian thrash band. But now I truly believe they are one of Metal’s most innovating and inventive bands.

Their new album, Unseen is the key to understanding their previous records Revolver, The Dead Eye and Versus. These 3 albums are the ones the band released after the return of singer Peter Dolving to the band in 2003. They are a little bit “hesitating” sometimes, with very melodic parts and very aggressive elements as well. It was obvious that the band had found its sound, but the guys were still trying to express it at it’s best.

There it is: Metal's best album in 2011 - Unseen by The Haunted

Although many metal fans will NEVER accept it, I thing that Unseen, the band’s last album & their best, contains the pure essence of their personality. On that CD you’ll just find everything that makes The Haunted so special. Including the madness and the hysterical elements from their first and self-titled record (1998).

The choruses here are nothing short but AMAZING, peter Dolving is a fantastic singer, capable of screaming his guts out and whispering like some sort of psychic freak or singing like a rock-star.

The power of The Haunted lies in it’s ability to mix 100% pur metal elements with hard rock and grooooove. The groove element is essential to me, and like it or not, it’s ALWAYS been there with The Haunted. Just take out your old Made Me Do It album and listen to the killer breakdown on “Tresspass”. 

I just can't really explain how the band sounds, they are totally unique, they sound like no-one else, believe me. It's some sort of Modern Metal with thrash influences mixed up with rock and maybe some indie-rock sounds. This band is special, all their albums are must haves and it’s easy to give you guys some advice about what your priorities should be.

  § If you like metal, including the extreme stuff: go and get ALL their albums.

  § If you’re short on cash: avoid the album One Kill Wonder, it’s the only “not bad” album.

 § If you like your Metal melodic: focus on Unseen, their ultimate MASTERPIECE and The Dead Eye, which is also amazing, but not as exceptional.

It’s that easy with such a fantastic band.

Now the other thing that made me go crazy on The Haunted this year, is their concert at Hellfest 2011. They canceled their initial show in the afternoon on one of the mainstages and rescheduled it at 1:00 AM on a tiny side-stage, usually occupied by fat strippers.

Anyways, the guys did their soundcheck themselves, and regarding the shitty conditions it took them ages. The audience was starting to loose it’s patience and so were Per Jensen (Drums) and Anders Björler (Guiatrs)… After a 45min extra delay, Peter Dolving hit the stage and man, everyone was completely BLOWN AWAY.

The Haunted Live in Hellfest 2011: not a high quality video but does express the intensity of that show (plus I was probably standing a few feet to the left from the guy who shot this) 

The small configuration of the show perfectly suited the band actually, the energy was unbelievable, all the accumulated tension just exploded in a few seconds. I’ve never witnessed such intensity in my life. Needless to say it was my favorite show of the festival. 

As a matter of fact, it’s really on stage that you definitely realize that The Haunted has not changed. It’s still the same talented band, but the new songs express their potential much better than before.

I’m out of words to tell you guys how I feel about this band, just go listen to it, and if you can, see the guys on stage; the experience might change your life for ever.

The song "No Ghost" taken from Unseen  

"The Drowning" from The Dead Eye album - also very cool...

The Haunted is one of the most talented bands in rock/metal today, and UNSEEN is by far 2011’s best album, PERIOD!

The Haunted Online 

Disma & Miasmal – 2011’s Death Metal World Champions

We’re still in October fellows, but 2011’s world champions, in terms of Death Metal, have already been revealed. In fact, we’ve known the winners for months, probably since May. By that time, Miasmal had just released its first self-titled album and Disma was only recording its debut, Towards The Megalith.

And the 2011 Death Metal Champions are... DISMA & MIASMAL!

These two bands are completely different. Disma hails from the US and was formed by former Incantation and Funebrarum members. Needless to say the expectations were high, and everyone was anticipating the debut album, that just HAD to be tremendous. A few months before releasing that first record, the band was involved in a fabulous 7” Split with Winterwolf. The vinyl was released via Doometia Records and had that AWESOME artwork. Now as you imagine, everything was set for Death Metal fans to witness the birth of a dominating Death Metal band. Especially that the demo called The Vault Of Membros released in 2009 had a massive impact on the underground.

Now is this a fantastic artwork or is this a fantastic artwork? 

And yes, no one was disappointed when they heard “Of A Past Forlorn” on the split EP with Winterwolf. And when the album came out, with it’s superb artwork, on Profound Lore (another “hype” factor) everyone agreed that this would be this year’s best Death Metal record.

Musically speaking, we should even say DOOM Death Metal. Disma’s music is unbelievably massive, not always slow though as there are some pretty frantic accelerations here and there. I think the main word is DYNAMIC. And there’s nothing more important that dynamic when it comes to extreme music. The headbanging is mandatory, you just can’t help it, the sound is oh-so heavy and there is some kind of awesome and creepy atmosphere that totally fits the band's ambition in terms of "concept" (artwork and lyrics). 

Yes, the artwork is just as cool as the music

All in all that record makes me think of a better version of Runemagick. Really dominating and powerful stuff. I can't pick up a specific favorite song on this one, but you guys must try and listen to the awesome “Chasm Of Oceanus”, “Lost In A Burial Fog” or “Towards The Megalith” (not to mention the already known "Of A Past Forlorn").

  

The other 2011 champion is more surprising. Miasmal hail from Gothenburg, Sweden and they have released their first CD on Dark Descent Records in May. From the first listen I knew that Miasmal was a special CD. In fact, the first 2 minutes from opening track "Mesmerized" are enough to tell you how fantastic this band is. The atmosphere is creepy, humid. Feels like the music has really been recorded in some cave. The drums groove like hell and the fast riff will blow your head away.

Swedish Death Metal at its best! 

The album is a succession of instant hits, and each track stands out in it’s own way. Some tracks like “Mists” or “Death Mask” are just irresistible. The album is just as great as Disma’s and it’s impossible to determine which one is stronger, especially that Miasmal is more typically Scandinavian. Also note that the CD version of the album includes the tracks from the sold-out band's demo. 14 tracks of pure Death Metal pleasure. 

These two CDs are just the illustration of what old-school Death Metal should sound like, and they are just perfect in their own way. 

You like Death Metal? Then there is no way you can miss any of these two amazing releases.

Now before some of you start insulting me, note that I have picked 2 new bands. But of course, one must not forget to mention the godfathers, as most of them are still around. And no, Im not going to discuss the controversial Morbid Angel record. This year, in my opinion, another death metal pioneer was back with an unbelieavable release: AUTOPSY. What a return! Filthy, raw, heavy, doomy and totally insane: that’s how Macabre Eternal sounds like. The final track, "Sadistic Gratification" is completely insane, and Reifert’s voice is just like the Devil himself is whispering in your ears.

Young wolves are taking over? Maybe, but some of the Godfathers are still hungry!

Now that said, who still believes that Death Metal ain’t what it used to be??? It’s still Alive (or Dead shall we say) and VERY WELL! 

SerpentCult’s Raised By Wolves: this year’s most underrated album

OK, I admit it; I’ve always loved this band, and I’ll always think it’s not enough covered. But this time, I know I’m right for 2 reasons. First of all, the coverage in the specialized press was close to nothing. The second reason is that Raised By Wolves is a unique and special record. Not only should it have been more covered, it should have conquered several “album of the month” spots!

I fell in love with the band when their first EP came out on I Hate Records in 2007. Trident Nor Fire contains 3 fantastic heavy/doom songs and it contains one of the coolest covers I ever heard: Rainbow Demon (originally written and performed by Uriah Heep). SerpentCult played that song like a ritual, really occult and dark. Very Yummy. Of course, the warm sound, the heavy guitars had a lot to do with the atmosphere, but it was also about Michelle Nocon, the singer. Her voice was like a heavy metal singer possessed by a witch.

The first EP on I Hate Records. 4 fantastic heavy/doom songs

After that EP, the band released a pretty cool record called The Weight Of Light. Pure heavy/Doom, with the same recipe but more “resulted” than the first release, heavier, darker, more focused…

The first LP, out on Rise Above Records

And the expected move obviously was to repeat that record with better promotion, to tour and to be a little more successful record after record.

Instead of that, SerpentCult decided to change almost everything. Michelle left the band and the remaining guys decided to go on as a trio.

In fact there are almost no vocals on Raised By Wolves, the new CD. And the music has changed A LOT. It’s not about traditional doom anymore, which is a smart move really, because many bands are doing that now. SeprentCult has taken off to some farway planet. Ther music is cosmic, repetitive (4 songs, 40 minutes) psychedelic and there are some insanely heavy riffs here and there to bring you back to earth. Would you gusy shoot me if I dare saying “progressive” as well?

Amazing second CD by SerpentCult...

Raised By Wolves is a really surprising record that somehow reminds me of Yob. Ok, these two bands sound different, but they have some pretty similar characteristics as they both play with contradictory feelings; cosmic and very heavy, dark yet sometimes very bright, may seem repetitive but progressive... They even sound like they're improvising on some parts ("Longing For Hyperborea" - these wild'n'groovy bass lines are terrific!)

It is extremely difficult to describe precisely Raised By Wolves, and that may be a reason why the press did so little coverage. You have to FEEL this album to understand why I love it so much. And to feel it, you need several spins, you need to listen to it in good conditions (try to do it with headphones) and to turn off your brain. When I manage to listen to it in these conditions, it seemes obvious to me that Raised By Wolves is going to end up in my 2011 favorites. 

The best advice I can give you is to listen to the unbelievable second song of the album, called "Crippled And Frozen". The way these guys literally BUILD the main riff is amazing. Then that riff will bludgeon your sweet little head for almost ten minutes. Looks boring on paper, but it actually feels sooooo good. 

Damnit, here I am sounding like a freak again…

Is Deathcore really all about the looks?

First thing, what on earth is Deathcore? It doesn’t really mean much honestly, it’s just another new label to describe modern death metal bands, influenced by several movements other than traditional Death Metal. That label appeared to describe Metalcore bands that were heavier than the regular ones. Most of the bands come from the US and yes, one of their main characteristics is to have fantastic artworks, very cool merch and nice, studied looks. I was walking around some Metal Market at a summer fest earlier this year and it really shocked me to see all the cool Tshirts with band names I didn’t know about.

And of course, the haters use this to criticize Deathcore bands and accuse them of being opportunistic and shallow. Of course dudes. New bands, with new looks for the new generation, they have to be opportunistic right? Back in the day, bands were soooo much real, genuine, integer…I really hate that old fart mentality.

New generation means new looks and new mentality; we have to accept that. And it’s not about being pro or anti Deathcore, it’s about finding the right bands, as usual. To illustrate this, I chose 2 radically different bands, that both have awesome looks.

The first one is Whitechapel, and I think that their music is really awful. I bought the record called A New Era Of Corruption By mistake, and I still regret it after a few spins. The artwork is FANTASTIC though; a superb black digipack with very complex "man meets machine" art. The golden font is bright and classy; it makes you feel you’re holding something really precious in your hands. But as soon as you play the CD… It’s a disaster. The guys obviously can play. They can play fast and they can play sharp. It’s full of violence and heaviness, but it’s completely harmless because it has no soul. Nothing, just cold blunt riffing, with no personality and no feelings. You can play this record over and over again without even noticing it. A shame but a very good lesson that shows that it’s not enough to be technically good, you still need that bit of genius to compose proper songs.

Really cool cover right? Forget it, the music sucks...

The second example I chose is far more exiting and well recognized, especially here in Europe. I just LOVE The Black Dahlia Murder. They also have awesome looks. The new record called Ritual and it's very beutiful digibook has this ritualistic approach and also makes you feel you’re holding some Black Magik initiation book. But this time, the music fits. The Black Dahlia Murder’s Deathcore is powerful, smart, dynamic and particularly well composed. The band is technically impressive but they know how to throw in some slow parts and some cool leads to let the tension down for a moment, before they punch you back in the face with a blast beat.

Ok, now that one looks good but also SOUNDS good.

They also can create some pretty freaky atmospheres, something cold and typically Scandinavian. Not bad for a band from Michigan right? If you dig Ritual, I suggest you go and listen to all their previous records, especially my personally favorite called Nocturnal. That one’s got a pretty outstanding outwork as well. 

Just AWESOME. A real musthave for modern death metal lovers. 

Launching the ULTIMATE METAL COMPILATION PLAYLISTS

The Digital era and this little crazy thing called mp3 completely changed our approach to music. Everyone can have everything now, we don’t want BETTER music; we just want MORE music.

My nostalgia for the “old-school” way of listening to music is a never-ending story, but there is one central idea behind all of the debates: our appreciation of music. They way you purchase and listen to a specific album, by choice. Not just because it’s new or because it has a fancy edition or a free DVD. And most of all, NOT because you can just get it for free.

Listening to something you have actually meticulously chosen is a very special feeling. It’s a freakin’ privilege these days!

And one old-school thing I miss very much in this new era is good old compilations.

Of course, I don’t mean those silly Scorpions “best-of” CDs nor the mp3 compilation of “the entire Morbid Angel discography” your stupid cousin wants to transfer to your USB flash drive.

No, I mean those personalized hand-made compilations, recorded on tapes or CDs, the ones you designed for your girlfriend, your brother or your band-mate. I mean the ones with limited space and with a specific theme. I used to LOVE doing this. Taking the time to choose the songs one by one, thinking about the tracklist and having to eliminate songs so that the compilation fits on one CD or cassette tape. That’s such a pleasant exercise, it’s an awesome way to go through your music and analyze it.

Seriously, who still does that? In the mp3 era, if you think your friend might like Metal then you just copy him your 40GB of music and throw it as his face. And he’ll do as usual, insert the songs into his big shuffle playlist and one day, he won’t even remember you even recommended anything (and he’ll probably never really listen to any of it).

But what the hell; no one wants to take my burned CDs or tapes? Doesn’t matter, I’ll just create imaginary compilations for imaginary friends! Call it playlist if you want, it still works.

There are only 2 rules to follow:

1.     It has to contain 50 to 60 minutes of music, no more, no less

2.     It must have a specified Theme.

That’s it! From now on, every now and then, I’ll publish a list of songs for my imaginary compilations. The first one will be simply called:

THE ULTIMATE METAL COMPILATION 1 – THE ULTIMATE METAL RIFFS

Feel free to suggest any compilation theme or songs!

Who in the world still likes progressive metal??

Tough one. I know I used to. I used to love prog’ metal, I use to listen to inexplicable music and get crazy over never ending intros and epic guitar Vs keyboard duels. But now, I don't know anymore. 

I’m even hesitating: should I add the new Dream Theater record (A Dramatic Turn Of Events) to my “To Buy List” (this list really exists, I’ll tell you more about how it’s organized and precisely managed someday)? The cold fact is I bought the 2 previous records (Systematic Chaos & Black Clouds and Silver Linings) without thinking, and I can’t remember a single damn note of them… I just don’t feel like listening to their music anymore. 

Do I want to buy this one?

I even bought a Zero Hour record once. Don’t ask me how I actually survived, but I think I’d be too scared to play it again, I’m not willing to loose my sanity. I’m being sarcastic here on purpose, because this band really is hard to get into, but the guys are very talented and there is some pretty smart musicianship here, if you think you’re tough enough, check’em out.

The music is hard to follow, but this album has a very dark and interesting atmosphere...

Considering that Dream Theater is almost prog’ metal’s best definition, imagine how I feel about all the 2^nd class bands that sound like a cheap version of DT… In fact, I do not only dislike 2^nd class prog’ metal bands, I truly detest them. They are the downfall of a genre that is becoming a predictable & soulless self-parody. I still remember how much pain I felt when I tried to listen to bands like Communic or Thought Chamber. Just go to Inside Out Music label’s page to see how many of these bands released one or two records before getting back to being totally anonymous…I think times have changed for prog’ metal and people are not buying it anymore.

Just so that things are completely clear though; we’re talking here about PROG METAL in its literal meaning. Nothing to do with prog’ rock of course and nothing to do with Metal bands that have a progressive edge (we spoke of Obscura the other day, I can mention bands like Edge Of Sanity, Borknagar, the awesome Enslaved…).
There is also a new generation of bands, lead by Mastodon and who can be classified as "progressive" metal as well. They sound totally different though (totally different influences) and we'll probably discuss that scene soon, as the new Mastodon record is to be released by the end of the month. Until then, enjoy the cool new video...

That was the negative answer to the question. But there is also a positive answer since there are some awesome Prog’ Metal bands out there, and just because some of the leaders are declining, you shouldn’t ignore them.

Somehow, with their big chunky and fat packaging, Nuclear Blast convinced me into buying the new Symphony X two-CD record. Now that’s a nice band who managed to evolve and to seduce the Metal audience by being more aggressive and more “thrashy”. I still think their masterpiece is the fabulous record called "V", but it’s undeniable that all their CDs are good, original and catchy. 

 I feel like a teenager when I fall for such flashy special editions.

This one stays my favorite from Symphony X. Fantastic!

Another awesome prog’ metal band I must tell you about is Myrath. This young band from Tunisia is an perfect mixture of Dream Theater and Symphony X. Myrath sort of found the ideal equilibrium between technicality, impact, melodies and exotic tunes. Yes, they include some Arabic music here and there and they do it perfectly. It sounds genuine; it’s NEVER cheesy or cliché. The songs are pretty short and each one of them sounds memorable in it’s own way. Make sure you grab a copy of their new CD called “Tales Of The Sands”.

Perhaps one of the best "oriental metal" bands alongside Melechesh (who are way more extreme)

And of course, one must not forget to mention some awesome and classic bands like ARK, Conception or even Pagan’s Mind. 

ARK are split up, but they have probably issued one of the top10 records in heavy metal history. "Burn The Sun", their second and last effort is a masterpiece, nothing else to say about that fact. If you like rock, if you like music, you cannot ignore that one. Describing it would probably take me another couple of pages. Just know that the line up comprises all stars Tore Ostby and Jorn on the top of their game. 

MASTERPIECE.

Tore Ostby is also involved in Conception, alongside fantastic singer Roy Khan. The band has issued 4 records in the 1990’s, each one of them is brilliant. One of these band’s secrets is the genius guitar parts of Tore. Instinctive yet technical, heavy and yet so spiritual; Flamenco and Jazz guitar have never been so perfectly included on a Metal record. What is this guy doing by the way, anyone got news of his new projects?

In Your Multitude is conception's third and probably fan-favorite CD

Now Pagan’s Mind is a little bit different. This band can be described as being “Too much”, in all compartments. Too shiny, too cheesy, too technical, too melodic, too crazy… But they guys know what they’re doing and their songs are just awesome and addictive. 

The last CD called Heavenly Ecstasy is about some love story between a space goddess and another alien. If you buy the special edition you’ll get a couple of bonus songs, linear notes from each musician (detailing their passions, life philosophy…) and a fantastic old-school poster with a 100% leather and “Metal” pose.

Needless to say that the concept’s love story has a very happy and philosophical ending. Love is superior to evil; always.

Interview with Sinister Realm's John Shamus Gaffney

I know I keep repeating this, but I can't help it, The Crystal Eye, Sinister Realm's second album is one of my favorite albums of 2011. A classic Heavy Metal record, with 8 classic songs, each one of them being special and memorable in its own way. The Crystal Eye is an outstanding record produced by a pretty underground band and released on a specialized label (Shadow Kingdom Record), and it deserves all your attention. I recently conducted a short interview with band leader John Gaffney, a renown bassist and composer of the American Heavy Metal scene. These few words are about Music, Passion, Hard-Wrok and of course, HEAVY METAL. (You can read the french version of this interviwe on NOISEWEB)

John, my first question is about the band's lineup. 2 musicians have changed can you tell me more about the changes?

Our original drummer Darin McCloskey was with me from the beginning of the band but Darin landed up moving and it put him rather far away from where we practice and play most of our gigs, as the band got busier and busier it was more and more difficult for Darin to make rehearsals so he decided to leave and concentrate on his other band Pale Divine who are very successful and respected in their own right.  Darin and I are still very close friends and I speak with him all the time.  Our original guitar player was asked to leave because we were just unable to work together peacefully.  Our new guitar player's name is John Risko who is well known in our area as one of the best guitar players, so as soon as we needed a new guitarist I thought of him first.  Chris Metzger our drummer also has a reputation in our town as one of the best and he really brought his own unique style to the band and were very happy to have these guys on board.

The Crystal Eye is your second album and I found it much stronger than the first one. Were you guys conscious of that while you were composing and recording it?  

Thanks, I don't think I really knew how good this album was until we started recording it, as the songs started to come together I began thinking "Wow..this is really good" and I felt pretty confident that it was a step forward from the first CD, which I was also very happy with.  When we recorded the first CD we had never played those songs live but with the new album we had the chance to play all these songs out a bunch of times and that really helped the songs grow and become tighter, so all of us were feeling really good about these songs when we entered the studio, when we heard the final results we were very pleased.

How dis you guys compose? Together in a same room or do you exchange the ideas progressively?

I write all the music and lyrics for the band.  What I do is I demo everything out on my computer with a drum machine and me laying down rough tracks for the other guys to hear and then we get together and bash it out in the practice room and that's where the other guys will put their stamp on the songs. Every guy in Sinister Realm has their own unique style and elements that they bring to the table that help to create our sound.

I also want to congratulate your singer, Alex. His performance is amazing! He seemed to have worked pretty hard...

Alex did an amazing job on this record.  What a lot of people don't realize is that the first CD was written mostly with just me and our original drummer Darin with no proper vocalist, when we decided to get more serious about things and record a proper demo that’s when we got Alex into the band.  For this album, the band had already been playing for a while so when I was writing the new songs I had Alex's style of singing in my mind, I knew his strengths and really wrote to them.  I also think that Alex has become more comfortable interpreting my ideas and lyrics, he really knows what I'm after and does a brilliant job of brining the songs to life.

I also noticed that the record conceived like a “classic”: the length is ideal (45 mins). You have included fast songs, one very epic closer, an instrumental, a power-ballad, a slower song, a heavy one, the solos, the bass solos...It’s all on The Crystal Eye!

Thanks again… Well, that's how I like to put things together, I think of the "big picture" so to speak when I write an album, I'm very aware of trying to create a flow and feel to the record.  It's very important to me to take the listener on a journey.  I've always loved albums that you could put headphones on and listen to from beginning to end.  I'm old fashioned and even think in vinyl record terms.  I imagine what would be the first and last songs on each side of a record.  For instance, the song "The Crystal Eye" would be the end of side one and "The Tower is Burning" is a perfect album closer.

What are your favorite classic records by the way? 

British Steel-Judas Priest, Piece of Mind-Iron Maiden, Blizzard of Oz- Ozzy, Heaven and Hell- Black Sabbath, Holy Diver- Dio., Epicus Doomicus Metallicus-Candlemass.  Those are what I consider to be some of the greatest metal albums ever and they were and still are very influential to me.

There is some sort of "heavy metal revival" thing going on. It started with specialized labels like Shadow Kingdom Records and some forums, and now some big labels are signing traditional heavy metal bands...You feel you belong to this scene?  

Yeah, I think so.  I consider us to be a traditional metal band and I am very proud of that, our influences are very much from the classic metal years from 1980 to about 1984.  There are of course lots of other great years for metal but those years especially mean a lot to me and the guys in the band.  We like to believe that we are defending the flag for classic metal here in the United States.

You personally have been doing this for years, (the Pale Divine period), how does it feel to see this little "hype" going on? 

It feels good, very good, that's why we do what we do in the hopes that people will like it and say that our music means something to them, so when we get positive feedback from people, whether it's in a review, an email or on a forum we feel very proud.  We really believe in what we do and work hard at it. Heavy Metal means a lot to Sinister Realm and we take it very seriously.

Do you think it's a good opportunity for Sinister Realm? 

I think so, there is a lot going on for us right now and we are trying to make the best of every opportunity that comes our way.  With the recent "Heavy metal revival" as you put it we feel we are in a position to really make a name for ourselves, we want to just keep working hard and putting out the best music we can and hopefully the rest will fall into place for us.

How far do you think you can take the band? I think you guys have a huge potential. You have the songs, people seem to be demanding that style of Metal, you have a fantastic reputation on stage.

I hope that the band can just keep growing and getting bigger and bigger, so we are ready to take it as far as we can.  We want to keep moving up and hopefully we can land a recording contract with one of the big labels in the near future and we can get the opportunity to take our show to the big stages around the world.

What are your plans on the short and mid-term? 

Playing more gigs, especially more gigs out of our town, maybe do some touring and especially try to get over to Europe.  I've already started putting ideas together for our next record, which I want to be even more epic and another step forward in the songwriting department.  Basically are plans are to just keep pushing forward and getting better and reaching more and more people.

Any chance to see you guys on stage in Europe? 

I hope so! That is one of our big goals to get over to Europe and play in front of as many metal heads as we can, right now we are just trying to find the right person who can make that happen for us, so any promoters out there reading this drop us a line please, we're ready to go!